In the last paragraph of the chapter called India: The Modernization of Poverty (Find it here) in "Late Victorian Holocausts" the author mentions that the English rule in
Wednesday, February 20, 2008
Smith and Hobbes
Wednesday, January 30, 2008
Discussion: anthropology of globalization
An article published on the
Reaction
There are a few big issues in both the Frontline(Persuaders, PBS.com) video and No Logo(Naomi Klein) that are very disturbing. The ease of success that private companies have infiltrated not only Universities, but high schools is offensive to our education traditions. People from all parts of the world come to
Friday, January 11, 2008
Exert from an interview with the Mars Volta on DIS.com.....
You must sympathise, to an extent, with writers presented with your albums when they’ve a very limited frame of reference to work a review from?
C: Well, if I was a journalist I’d be excited that I wasn’t going to be using the same adjectives, and that I’d be able to showcase some creative writing in trying to describe this to people. Many writers nowadays use obvious colours, or band references, to help people understand another band.
Depends on their audience, to an extent – some magazines only allow contributors a small amount of words per piece, too. Do you guys ever check the feedback to your albums? Do you think the albums bring out the best in writers who can flex their creative prose muscles?
C: Everything can be positive, even negative feedback. Part of our job is to elicit that sort of reaction.
O: It’s cool that our work does seem to inspire people, as even when reviews are negative they’re not just like, ‘This is bullshit’. We get four or five paragraphs outlining how we’re bullshit! They’re inspired to hate on our music, and get really witty and creative, and that’s kinda cool.
C: We opened for the Red Hot Chili Peppers one time, quite a while ago, and the whole front page of this magazine’s review section was all about how much this guy fucking HATED us.
Given the fairly freeform nature of your headline sets – which can stretch for two-and-a-half hours and take myriad tangents – how do you find playing second-fiddle to another, bigger act? It must be tough condensing your set, and tougher still when the crowd isn’t yours and simply doesn’t get it...
C: There was always that… and there were times when the audience was really into it, too. But then there were times… Let’s say Quebec – I’ve never seen more Canadians acting American in my life, sitting down, eating hot dogs.
Like they were at a basketball match? Thing is, some big gigs feel like that, like sporting events, such is the level of detachment…
C: I do see that, for sure. But I think there’s an element of us throwing the pit-bull into an unsuspecting crowd, which can be fun… although sometimes it isn’t fun, too. There were times where I’d just turn my back for an entire set, as I don’t feel I need to give anything if the people watching aren’t giving us anything. We’ve been asked to play these places for a reason, and sometimes playing to such crowds pose good challenges for us.
Wednesday, January 2, 2008
Quote of the Year
But this is America and we can afford it, along with a 2 trillion dollar war and tax cuts, but there is one thing we can't afford, and that is health care for sick children.
So the question I'm asking is how did it all get so uneven. Warren Buffet asks the same question, he's the third richest man in the world, and a decent man. He points out that how ridiculous it is that he, the third richest man in the world, is taxed at 17.5%, while his secretary who makes 60,000 a year is taxed at 30%.
...now I know socialized medicine sounds like Stalin himself is going to come over your house and perform a forced sterilization, but really all it is is universal health care, which means everyone not just the rich will get to see a physician when their erection last more than 72 hours."
-Bill Maher